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Take me to a place with a name I can't pronounce.
occupygezipics:

Another young woman in Istanbul welcoming a stream of water canon with open arms.

occupygezipics:

Another young woman in Istanbul welcoming a stream of water canon with open arms.

(via tristitia)

(Source: the-movie-rookie, via beardspectrum)

(via acervo-vintage)

sluteverbabe:

baby succulents and cacti ✿

sluteverbabe:

baby succulents and cacti 

(Source: we-ll-be-alright, via tuesdayblouse)

nevver:

How to Skip a Stone, The Art of Manliness

nevver:

How to Skip a Stone, The Art of Manliness

(Source: hereeverythingis, via tigerlilywho)

curios1ty:

tokyo. by (marcusp) on Flickr.

curios1ty:

tokyo. by (marcusp) on Flickr.

(via girlpinocchio)

(Source: partizany, via girlpinocchio)

hellanne:

(by jwilkin)

hellanne:

(by jwilkin)

(via himmelliebe)

ileftmyheartintokyo:

TOKYO by hisaya katagami on Flickr.

ileftmyheartintokyo:

TOKYO by hisaya katagami on Flickr.

(via farfromthepacific)

I am really interested in silence- in inarticulacy also, which isn’t the same as silence. As a performer I like looking at the gaps between what people want to communicate and what they can communicate. I love good filmmaking that isn’t just about really proficient writers of dialogue, who think that everybody’s really articulate and everybody can hear each other really well. That doesn’t feel true to me, actually. I mean, that’s a fantastical universe.
Tilda Swinton, “Alien Laborer in the Hollywood Factory” by Charles Isherwood for The New York Times (via wildthicket)
28decembre:

Playing (by Xavier Encinas)

28decembre:

Playing (by Xavier Encinas)

(via feelingsquare)

(via nostomaniac)

(via nostomaniac)


interior at nakagin capsule hotel in ginza/tokyo

interior at nakagin capsule hotel in ginza/tokyo

(Source: neuromaencer, via sirui)

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